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Holy Island Residency

By Inspiration, News

Fashion + Conversation with Joan Murray

As an Artist in Residence on the Holy Island of Lindisfarne, I was privileged to stay in St Cuthbert’s Centre for 10 days, 6 to 16 August 2024.. Before coming to the Centre, I researched colours and patterns in the Lindisfarne Gospels, noting influences from both Celtic and Latin manuscripts. Then, on arrival, I could see that much of the naturally occurring texture and pattern on the Island is also formalised in these Gospel illuminations. Early Christian and Byzantine artwork were starting points for my choice of coloured yarns to use in making and demonstrating my garments. Wandering around the island when the tide was in, I found the same colours on the rocks, the surrounding sea and the sweeping expanses of long grass. This deepened my appreciation of the artistic skill of the early monks who prepared inks and dyes to embellish the writing of the Living Word – the four Gospels – on vellum. In this, as in all areas of life, their initiative and commitment is still inspirational. 

As a presentation space, the church is truly welcoming. The changing light throughout the day, streaming through the tall windows, creates different moods for the displays. Another affecting experience is the tidal changes which have such an impact on island life. 

The Centre never became too busy, so my visitors  felt comfortable, whether chatting and asking questions, or just sitting with me in the quiet space. I answered queries about my techniques, outcomes for clothing and accessories, and about creativity itself, reflecting our Creator God. Conversations alongside this were wide-ranging: this Church’s long and chequered history going right back to St Aidan’s arrival as a missionary from Iona in 634AD; the growth in our own day of churches in some areas and their decline elsewhere; the splendid decision to have artists in residence; and for me as a believer, a freedom to speak in the name of Jesus within this building where folk of varying shades of faith and none could talk freely.  

On a practical note, my stay in the Bothy was very comfortable with all needs supplied. Local residents, the cleaners and hotel staff were friendly and helpful and the Revd Kay Blackwell, even while settling in as a new incumbent with her family, was hospitable, generous in her encouragement and helpful with my photographic record. I am grateful to the St Cuthbert’s Centre and the URC in the North East for opening up such a memorable experience.

 

Paintings: Flowers, using gouache paint and collage

By Inspiration

Flower paintings using gouache paint and collage.  When framed, 70cms by 91cms

Weaving: Autumn Collection 2022

By Inspiration, Weaving

Weaving: Summer Collection 2022

By Inspiration, Weaving

Workshop: Exploring Global Textile Processes @ The Hepworth Wakefield

By News

Explore textile techniques with artist and teacher Joan Murray.

Using her collection of ancient and contemporary samples, Joan will highlight various weaves and methods of construction. As an introduction to handling yarns and using weaving equipment, she will demonstrate Peruvian braid making for traditional slings and slit tapestry straps.

You will guided to create samples, using card looms and other simple equipment to create small weaves, Peruvian braids, Japanese braids, and thread wrapping, inspired by Sheila Hicks’ organic and colourful pieces. You will have the opportunity to try working on a small rigid heddle table loom to explore simple colour and texture effects.

This session is suitable for beginners, though Joan will introduce techniques and approaches suitable to the experience level of individual learners.

Materials are provided, but you are welcome to bring your own materials to work with – bundles of threads, mixed yarn, scraps of fabric or hand spun yarn.

Sat 25 Jun 2022, 11am – 3pm

More details here